There are gazes that don’t just see — they feel, translating the world into pure
pictorial emotion. Regina Picoli, a gifted artist from Martinópolis with a career
marked by mastery in realism and hyperrealism, is part of a rare lineage of
creators for whom the canvas is a gateway to the very essence of things.
In this special edition of ArtNow Report dedicated to France, Regina presents
us with a unique interpretation of the Eiffel Tower — a conversation between
the precision of her brush and the heartbeat of an icon that, for her,
represents “the fulfillment of an immeasurable dream.” Her journey in art
began in childhood, shaped by the influence of sacred Baroque and refined
through academic discipline and mentorship from great masters — all of
which prepared her for this moment with the “Iron Lady.” “Seeing her for the
first time,” Regina confesses, “you’re overcome with a mix of admiration and
inspiration. Her imposing and elegant structure stands for innovation, culture,
and the eternal pursuit of beauty.”
Portraying a monument so universally revered is, in her words, “embarking on
an artistic journey filled with challenges and motivation,” always seeking “a
unique perspective” that can “also capture the emotion she stirs.” With eyes
trained to uncover the extraordinary in the everyday, Regina approached the
grandeur of Paris with the same attention to fine detail, choosing twilight as
the moment for the Tower to unveil “all her splendor” through “the patterns in
the ironwork, the interplay of light, and the subtleties of color.”
Regina’s connection to Paris is also woven from memories and admiration.
She sees the Tower as “a landmark in the history of engineering,” whose
perseverance and originality “deeply resonate with my artist’s soul.”
On her canvas, Regina Picoli’s realist technique finds both delight and
challenge in the Tower’s intricate iron lattice. The fascination lies in “capturing
the precision of those metallic elements,” while the challenge is in translating
the sunset light — with its “golden, orange, and copper hues” — and the
dramatic shadows that are essential to “bring realism and vitality to the
piece.” To balance complexity with elegance, Regina focused on expressive
details and the harmony of geometric patterns, sometimes “gently sketched
and blurred.” Enhancing the composition is the inclusion of the Pont
Alexandre III, in its Beaux-Arts style, adding a layer of sophistication and
historical richness.