ArtNow Report - Ed. 08 - Eng

In her hands, the Fleur-de-lis—an emblem long tied to royalty and French

identity—sheds its heraldic rigidity to gain new textures and a modern

sensitivity. Érica approaches it in two distinct works: one infused with “the

softness of flowers from Parisian gardens,” using a deeper red tone, and

another where a lilac version of the symbol interacts with “the rigidity of the

tower,” as seen in her piece titled Self-Portrait with Purple Fleur-de-lis. To her,

this lilac Fleur-de-lis represents the floral form the Eiffel Tower might take—an

elegant contrast to the monument’s iron grandeur.

The White Lily, a symbol of purity and timeless elegance, blossoms in her

compositions with a kind of light that seems to radiate from within. Érica aimed

to express “the delicacy of these beautiful flowers and the strength they

symbolize in the heart,” even painting “a heart blooming with white lilies”—a

striking image that unites fragility with vitality.

And the lavenders... Ah, the lavenders! In her paintings, you can almost smell their

fragrance, drifting through the fields of Provence, that rich purple stretching under

the Mediterranean sun. For Érica, this flower isn’t just about color or scent, but an

invitation to “rest and reflect—a scent of inspiration.” Lavender, she says, “always

reminds me of rest—those moments where you stop to recharge.” It’s one of her

favorite fragrances, and one of the colors she finds most sophisticated—

capturing the soul of Provence and its deep ties to France. When imagining the

scent of the Seine at dusk, she envisions red roses, jasmine, or orange blossom—

the latter evoking memories of the Orangerie and Monet’s vast water lilies.

The Parisian atmosphere—with its blooming gardens, the Eiffel Tower glowing at

night, incredible museums, and rich history—was an endless source of inspiration.

As she puts it, “Paris breathes and inspires art,” offering a fascinating “contrast

between the softness of scattered flowers and trees and the bold, strong

presence of its historic monuments.” Érica sees art as a force that can inspire and

add meaning beyond mere decoration. And in France, she’s found fertile ground

for that vision. Her flowers aren’t just meant to adorn—they’re meant to connect,

to invite contemplation of nature, and in turn, a deeper reflection on our own

essence.