Her paintings follow the same logic as a living organism: nothing is
centralized. Colors, whether translucent or intense, appear like breaths,
and the open spaces become pauses of dense silence. If her work
were an animal, Patrícia says, it would be a bird: “they carry lightness,
the impulse to rise, the freedom to exist between planes, and they are
seed-bearers.” And maybe that’s what makes her art feel so urgent: it
plants a new way of seeing, closer to what is organic, unstable, and
essentially alive. Her paintings remind us that art, like the forest, is
made of flows. It doesn’t aim for an end or a fixed form. It seeks
connection, listening, and presence.
In the end, Patrícia Siqueira’s art becomes a silent manifesto — a dance
of “roots and wings” that “keeps pushing through.” She teaches us
what the forest itself whispers: that time can be material for building,
not for losing.