Sometimes, she says, she waits for hours “until the sunlight hits exactly the way I want it
to.” Every captured instant is sacred and unrepeatable — a piece of authenticity in a world
that thrives on endless reproduction. It’s proof that art and strategy can walk hand in
hand when the purpose is true. As she puts it, “art materializes feelings, just as technology
materializes so many business languages.”
In the end, Art Must Go On is more than a photography exhibit; it is a manifesto about the
freedom to choose. By presenting the perfection of a flower, Hanna reminds us of our own
divine origins.
Hanna Luisa Bakor’s art is born from an act of rescue. Not a rescue of something lost, but
the rediscovery of an essence that was always there, patiently waiting to be heard. After
years immersed in the logic of business and the weight of life’s “aches,” she made a
radical, philosophical choice: she trained her eyes to focus on beauty.
This journey didn’t begin during the pandemic, but way back in her childhood, when her
parents designed a logo with two tulips for a brand that carried her name: “Hanna Luisa.”
Decades later, as if by some predestined echo, those flowers would return as the pillar of
her artistic expression. Her photography, therefore, isn’t just about capturing the world —
it’s the consequence of a deep decision to find herself again. It’s an invitation to dive
inward, to uncover universes that often pass us by unnoticed in everyday life.
At the heart of her artistic process is the macro lens — used not as a technical gimmick,
but as an extension of her awareness. It works, as she explains, like a magnifying glass. It
doesn’t zoom in from a distance; it physically brings her closer to the subject, demanding
radical intimacy.
In her debut series, Art Must Go On, her “super focus” — a real condition that became her
most powerful creative tool — turns her close-ups of flora and fauna into something that
transcends botany. They become meditations. By getting so close, the image dissolves
into abstraction. The veins of a petal become rivers; pollen turns into constellations.
Paradoxically, hyper-realism leads us straight into a dreamlike world. As the artist herself
describes, it’s a reflection of what happened within her: “a deep dive into the essence of
things, the root of life, the detail that holds everything together.”
This search for purity of form is anything but naïve; it’s deliberate. With a strong
background in business, Hanna applies the same branding strategies to her art — not
merely to thrive, but to protect her message. The single edition of each piece, the
museum-quality production, and her refusal to edit or manipulate any image are not just
market choices; they are a statement of value.